![]() Gugino likewise sees similarities between her character Claire, who is a highly educated woman that finds herself working as a glorified servant for Henry when the film begins. “They’re not real memories, but just like a feeling of having an experience before, so it’s almost like experiencing déjà vu.” But that vague familiarity that this has happened before allows her to be “able to handle herself better” as she digs deeper into Henry’s secrets. “I made the decision that there would be subconscious lessons that she’s had, or memories from the life she’d had previously,” Lee considers about her heroine. After all, as per Elizabeth’s own voiceover, all she can remember is how she always dreamed of being stolen away by a brilliant man. Here is a character who initially defines herself by her marriage to Hinds’ mercurial scientist, but upon opening up his research facility, she discovers very sordid secrets about who she could become. And in Elizabeth Harvest, via chic cinematography and split-screen editing, Elizabeth’s sci-fi journey into Henry’s hidden room leads to a Groundhog Day-esque journey of self-discovery for our heroine, alongside some very timely implications.įor Lee, Elizabeth’s sense of self-identity, or lack thereof, attracted her to the role. Without giving too much away, “Bluebeard” itself also features a house of wonders for a young bride, who out of gnawing curiosity walks into the one room she was denied access to… and discovers a torture chamber built for her groom’s previous wives. Danvers-esque role of Claire, a brilliant woman who has become little more than “the help” to Henry, the implications are hardly romantic. Yet given the film’s credits list “Bluebeard” (a French folktale of similarly ominous beginnings) as its inspiration, and that it also stars Carla Gugino in the Mrs. Science, not magic, lies at the heart of husband Henry’s (Ciarán Hinds) alchemy, and there is a foreboding mood that suggests he has somehow used it ensnare his bride Elizabeth (Abbey Lee) into thinking she is living within a storybook during the 21st century. Yet the proverbial castle he takes her to is not a place of stone and mortar, but a sleek mansion of glass and thumbprint-sensitive locks. The jarring clash of sensibilities is explicit in its very opening, which starts with the familiar Gothic conceit of a young woman being whisked away into a life of privilege and wealth by an older, enigmatic genius. Director Gutierrez certainly has talent.By design, Sebastian Gutierrez’s Elizabeth Harvest is a classical throwback with a modern twist. And you begin to feel sorry for the actresses. But seem to have forgotten to get dressed. The women in this movie are both beautiful. There are very few conversations in this movie that seem like they would ever happen in real life. But what you get instead is a talky brutal nudie muddled sci-fi horror movie. Can you experiment with them or kill them? As a viewer, you're expecting a lot from a man with unlimited wealth, great knowledge as a doctor exploring these Timeless subjects. ![]() Is a robot human? Or a clone? I thought of the self-aware robot in alien and the replicants in Blade Runner. ![]() About a half-hour in, she opens the door that he told her not to, and the horror begins. She treats her not as his wife, but more as his child. She wanders about the house looking at the expensive and beautiful furnishings. ![]() Although I have to tell you, the mostly empty immaculately decorated Ikea house is getting a little old. A rich doctor brings his beautiful young bride home to his amazing modernist house. The blind boy, a mad scientist and Claire, the scientists collaborator are all good actors. Although I have to tell you, the mostly empty immaculately decorated Ikea First the good.
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